This work is informed by a number of ideas; key among them is ‘ambiguity’ and how images in paintings operate, located between resemblance, representation and abstraction. The root of these ideas comes from Dario Gamboni book ‘Potential Images’ l published 2002.
Ambiguity is inherent in images because visual perception is an interpretive act involving memory and imagination. This idea originating in the late 19th century is crucial to key developments in Abstraction. It has made this aspect of perception crucial to its relationship, not only with the artist but also with the viewer. For me the act of memory for creating studies inspired by experiences in Rome is integral to the work. Mark Wright is a painter based in London. After graduating from Central Saint Martins and the Royal College of Art he was a founding member of Cubitt Gallery and Studios. He has exhibited widely throughout the UK, Europe and USA. Recent shows include Vivienne Roberts Projects and A Space for Art ( Landsec: Building: Piccadilly). He has held various fellowships including at Winchester School of Art and University for the Creative Arts. His work is held in collections including The Roberts Institute of Art, Deutsche Bank, Wellcome Trust, Dorchester County Hospital and Dundee Museums.
