This small giclée print, from an on-going series of prints and paintings, contains a number of big ideas about beauty, truth and the spiritual, such as the sacred geometry of flowers. Ideas about perception, illusion and duality are here too, manifested in the image’s hovering between representation and abstraction, and between appearing machine-made and hand-made. Multiple layers of colour have been employed, each precisely adjusted in relation to the others so that the lingering eye may also perceive optical effects such as shimmering and floating, a transformation of the static two-dimensional surface into something else, something more perhaps, something less fixed and certain.